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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Digital Moonscapes ： ウィキペディア英語版 Digital Moonscapes ''Digital Moonscapes'' (1984) is an album by Wendy Carlos. "Written for orchestra (or orchestra replica), it is inspired by several astronomical subjects."〔"(Digital Moonscapes )", ''WendyCarlos.com''.〕 A symphony orchestra is simulated using Digital Synth's GDS (General Development System) and Synergy Digital Synthesizers (see: Crumar). These used additive and complex FM/PM modulation. She named her ensemble the LSI Philharmonic: "('Large Scale Integration' circuits, i.e., computer chips)".〔 "This was the first digitally synthesized orchestra of any significance that a single composer could command."〔Holmes, Thom (2002). ''Electronic and Experimental Music'', p.166. ISBN 978-0-415-93644-6.〕 These efforts bear fruit in her later work ''Beauty in the Beast'' (1986) and ''Tales of Heaven and Hell'' (1998).〔 The music on the album is described as: "veer() uncomfortably between murky electronic experimentalism and weedy pseudo-baroque,"〔Bogdanov, Vladimir, ed. (2001). ''(All music guide to electronica )'', p.84. McDonald, Steven. ISBN 978-0-87930-628-1.〕 and as, "thoroughly tonal, Romantic-orchestra-inspired, electronic tone poems."〔Morin, Alexander J. (2002). ''Classical Music'', p.1082. ISBN 978-0-87930-638-0.〕 According to Curtis Roads, "Three compositions produced in the 1980s stand as good examples of compositional manipulation of analysis data: ''Mortuos Plango, Vivos Voco'' (1981) by Jonathan Harvey, ''Désintegrations'' (1983, Salabert Trajectoires) by Tristan Murail, and ''Digital Moonscapes'' (1985, CBS/Sony) by Wendy Carlos."〔Roads, Curtis (1996). ''The Computer Music Tutorial'', p.146. ISBN 978-0-262-68082-0.〕 ==Sources== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Digital Moonscapes」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.